I used sticky tape to connect the equilateral triangles together, this allowed for many different forms to be made. The larger structures moved much like a fabric, where they could be pushed and pulled to be given a different appearance. Some of the shapes I created were repetitive, while others were more complex and abstracted versions. The way in which the triangles, played with colour and light was visually interesting. Shadows and light was cast across the wall and when I stood close to them, the faces mirrored the colours I that was wearing. To allow the pieces to move, I left small gaps in between each triangle. When they were held up to the light all of the joints became more noticeable, further highlighting their geometric structure.
Monday, September 8, 2014
Saturday, September 6, 2014
More More More - part 1
-equal -light -bendable -metal
-identical -architecture -thin -silver
-cold -angles -aluminium -industrial
-sharp -flat -primary school -man-made
-three -mirror -180°
-lines -reflect -lines
-2D -shiny -closed
-points -shapes -smooth
-metal -geometric -small
-iridescent -modern -60°
Wednesday, September 3, 2014
Iris Van Herpen
One of my recent sources of inspiration has been the work of fashion designer Iris Van Herpen, in particular her 2012/2013 haute couture collection Hybrid Holism. She creates wearable sculptures that use the human body as their canvas.Van Herpen incorporates contemporary materials and modern technology to create new fabrics. One would expect her pieces to be cold and motionless however they are quite the opposite, full of emotion with a profound visual impact.
In my work I am drawn to use slow and repetitive processes as they allow me to form a strong connection to each piece. I have had a growing fascination with wearable technology, but I fear that by using machines, craftsmanship will be lost. This is a issue that will continue to be raised in my practice and hopefully one day a compromise will be made.
Saturday, August 30, 2014
The Fashion Bunker
The fashion Bunker (BNKR) started off as an online store selling Adelaide based fashion labels however due to ongoing success this year they established their first store in Adelaide. This is one of the most attention grabbing retail spaces in the city due to its bold neon sign and 3D installations. The carefully considered designs by Adam Johnson give this place a good atmosphere, brings in customer and reflects the modern aesthetic of the brands. The sculpture and instillation transform this space to feel more like an art gallery than a simple retail space. I like the clean lines and geometrical shapes that Johnson has used. I'm always excited to look through the window and see a new installation.
“High contrast between rough urban textures and high polish were at the core of the concept. Street-facing window displays were given pride-of-place, along with large comfortable fitting rooms. The colour and material palate was intentionally kept very natural. Concrete, American oak, tan aniline leather, mottled grey wool textiles, goat hair carpet – plus raw mild steel ensure that focus was drawn to what mattered most… the garments, ” says Dean Flintoft, managing director of Australian Fashion Labels.

Photo by thislittlelane
Photo by tusfashion
Photo by Matilda Conlon
The BNKR flagship: A design that can be replicated across the globe
Sunday, August 24, 2014
Triangle Inspiration
Inspiration for assignment 3 - More More More
http://www.pinterest.com/laurence0305/geometrical-sculptures/
City Scope, Marco Hemmerling
Friday, August 22, 2014
More more more - Elisa Strozyk
Elisa Strozyk
Usually we identify wood as being a solid, German artist Strozyk has been able to challenge our perception of this. By incorporating textiles she has been able to create a flexible material. Through a combination of the two materials a hybrid is formed, depending on how it is placed, the matter has a 2D or 3D appearance. Leftover wooden veneers are cut into geometrical tiles and then attached onto a fabric base, the flexibility of the material depends on the shape of the tile and the spacing in-between them. An isosceles triangle offers the most flexibility, where as uneven shapes create more unexpected forms. Strozyk says that 'It's crucial to aim for closer relationship between subject and object.'
Wooden textiles, 2012
Sherwood, 1620 × 910 linen, mahogany, walnut, moor oak
Miss Maple, 2012
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