More More More part 4

The metal triangles are able to engage with the environment, creating a landscape of their own, where organic and man-made are combined. This piece gives reference to the unusual way in which crystals are formed. The triangles have been connected using sticky tape to create a fabric like structure that represents the faces of a gemstone. 

Regina Schwarzer

Regine Schwarzer 

One thing that I really admire about Regina's work is the way she respects the materials being used. A lot of jewellers try to give the stones a dazzling effect but Regine accepts them for what they are.  Often leaving the stone raw or faceting them in a way, that traps their geological past. Regine also creates pieces that mimic the forms of gemstones and the natural environment surrounding them.

More More More - Part 3

I used sticky tape to connect the equilateral triangles together, this allowed for many different forms to be made. The larger structures moved much like a fabric, where they could be pushed and pulled to be given a different appearance. Some of the shapes I created were repetitive, while others were more complex and abstracted versions. The way in which the triangles, played with colour and light was visually interesting.  Shadows and light was cast across the wall and when I stood close to them, the faces mirrored the colours I that was wearing. To allow the pieces to move, I left small gaps in between each triangle. When they were held up to the light all of the joints became more noticeable, further highlighting their geometric structure. 

More More More - Part 2

I arranged my triangles within the landscape surrounding me. 

                              

    

    

   

More More More - part 1

-equal                            -light                               -bendable                       -metal
-identical                       -architecture                    -thin                               -silver
-cold                             -angles                              -aluminium                   -industrial
-sharp                            -flat                                 -primary school              -man-made
-three                             -mirror                            -180°                                     
-lines                             -reflect                            -lines
-2D                                -shiny                              -closed
-points                           -shapes                            -smooth
-metal                            -geometric                       -small
-iridescent                     -modern                           -60°

Iris Van Herpen

One of my recent sources of inspiration has been the work of fashion designer Iris Van Herpen, in particular her 2012/2013 haute couture collection Hybrid Holism. She creates wearable sculptures that use the human body as their canvas.Van Herpen incorporates contemporary materials and modern technology to create new fabrics. One would expect her pieces to be cold and motionless however they are quite the opposite, full of emotion with a profound visual impact.  

In my work I am drawn to use slow and repetitive processes as they allow me to form a strong connection to each piece. I have had a growing fascination with wearable technology, but I fear that by using machines, craftsmanship will be lost. This is a issue that will continue to be raised in my practice and hopefully one day a compromise will be made.

View the collection

The Fashion Bunker

The fashion Bunker (BNKR) started off as an online store selling Adelaide based fashion labels however due to ongoing success this year they established their first store in Adelaide. This is one of the most attention grabbing retail spaces in the city due to its bold neon sign and 3D installations. The carefully considered designs by Adam Johnson give this place a good atmosphere, brings in customer and reflects the modern aesthetic of the brands. The sculpture and instillation transform this space to feel more like an art gallery than a simple retail space. I like the clean lines and geometrical shapes that Johnson has used. I'm always excited to look through the window and see a new installation.  





“High contrast between rough urban textures and high polish were at the core of the concept. Street-facing window displays were given pride-of-place, along with large comfortable fitting rooms. The colour and material palate was intentionally kept very natural. Concrete, American oak, tan aniline leather, mottled grey wool textiles, goat hair carpet – plus raw mild steel ensure that focus was drawn to what mattered most… the garments, ” says Dean Flintoft, managing director of Australian Fashion Labels. 

Photo by thislittlelane  

Photo by tusfashion


Photo by  Matilda Conlon

    The BNKR flagship: A design that can be replicated across the globe